DONGRYUL LEE


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COMPOSER, 작곡가 이동렬


"Alluring, sparkling, thoughtful, and carefully crafted"
“깊은 생각과 장인 정신으로 빚어진, 매혹적이며 반짝이는 음악”

– Augusta Read Thomas 

"Positively apocalyptic"
“압도적으로 묵시론적인”

Chicago Classical Review

"Sounding like dense reefs of exotic corals"
“얽히고설킨 이국적 산호초 같은 사운드”

The Strad



I am a composer who seeks to write music that is both bodily and spiritual, intuitive and structured.
I seek to reconcile and sublimate these tensions not through stylistic eclecticism, but through clarity of expression and depth of process.







MISSA LAUDATO SI’ (2023-25)

II. GLORIA–Canticle of the Creatures from Missa Laudato Si’ (2023–25)
for Six Singers, SATB Chorus, Treble Chorus, and 12 Instruments
영광송-“창조물들의 찬가,” 여섯명의 솔로이스트, 합창단, 높은 음 합창단, 열 두 악기를 위한, “찬미받으소서 미사" 중 제 2악장

World premiere, In conjunction with The EcoVoice Project, Ignatian Voices, University Singers, and University Chorale
March 15, 2025, Jo Ann Rooney Hall, Loyola Universich Chicago




TIMESTORY, Book I: An Astropastoral (2020-21)


1. Motuum Cælestium
2. Star  flies         over                 dark                            matter (at 9:56)

Commissioned by the Center for Contemporary Composition at the University of Chicago
The Grossman Ensemble, Vimbayi Kaziboni, conductor
The Reva and David Logan Center for the Arts, Chicago, December 3 2021




A finite island in the infinite ocean (2020)

2021 Fromm Players at Harvard Co-curated by Miranda Cuckson and Anne Shreffler
Streamed on Harvard's Music Department YouTube Channel, April 2021




Le Tombeau de Harvey (2018 rev. 2019)

Live recording from the world premiere of the full/revised version:
"Callithumpian Consort: Karchin, Murail, Chacon, Rădulescu, Lee, and Montgomery"
Ariel Mo, piano, Jordan Hall, New England Conservatory, Boston, US, January 18, 2022




Unending Rose (2017-19 rev. 2021, 2025)

A five movements / 45 minutes microtonal work for string quartet

“Quaerendo Invenietis,” first movement from Unending Rose
Nov 2018, Jupiter Quartet, Krannert Center for the Performing Arts, Urbana, US


Excerpt from III-2. Cavatina: "that the Lord will show to my dead eyes"
Live Recording from the World Premiere, The Kairos Quartett
Oct 3 2020, Villa Elisabeth, Berlin, Germany




On a winter’s night a traveller [The Deeply Learned Clavier] (2022-23 rev. 2025)

Live recording from the premiere, 2023 ver. (ca. 30 min.)
April 29, 2024 at 8:00 PM (ET), Brown Hall, New England Conservatory, Boston




"Gleichsam auf einer geistigen Leiter" from Goethe's Garden (2016-17)

Scoring: two pianos tuned in a quarter-tone apart
Hanah Choi and Hanqian Zhu, piano 18th Annual 21st Century Piano Competition Concert, February 10, 2017
Foellinger Great Hall, Krannert Center for the Performing Arts




RESEARCH


A Thousand Bells: Acoustical Implementation of Bell Spectra Using the Finite Element Method and Its Compositional Realization (DMA dissertation, deposited in September 2020)


31 FEM (Finite Element Method) Bell sounds are now available to listen to in the Research section:


Bell 002–an ideally optimized bell
Prime, Tierce, Quint, Nominal = 15/8, 9/7, 3/2, 7/4
Object function value = 0.0000017053


Bell 023–a non-octave bell with just major 7th prime with “pure” beatings
Prime, Tierce, Quint, Nominal = 16/15, 14/6, 16/11, 15/4
Object function value = 0.0013977


Bell 013–the bell sound material that is used in TIMESTORY, "Overtone Bell"
Prime, Tierce, Quint, Nominal = 15/8, 10/4, 3/2, 7/4
Object function value = 0.000033162
 


Lehr-Bell 001–a traditional minor-3rd bell from the undertone series
Prime, Tierce, Quint, Nominal = 9/5, 6/5, 3/2, 4
Object function value = 0.000033162