
Unsmeared like a Bodiless Horn
Matt Oliphant, horn, Juan Horie, cello
48 Hours Symposium: Dal Niente @ Jacobs School of Music
Friday, February 27, 2026 8:30 PM 10:00 PM
Indiana University Jacobs School of Music, Bloomington, IN

Lessons on Light and Darkness
Ensemble TIMF
DaHyun Chung, piano
Friday, April 24, 2026 7:30 PM
Korean Composers’ Night
Ilshin Hall, Seoul, South Korea


[New work] for flute, clarinet, and piano
플룻, 클라리넷, 피아노를 위한 신작, 세계 초연
Commissioned by Ensemble .thrum, 앙상블 쓰룸 위촉
Kelly Sulickl, flute, Jiyeon Choi, clarinet, John Mayhood,piano
ClarinetFest® 2026, Incheon, South Korea
July 7 – 11, 2026

[New Work]
Orchestration for the 21st Century Workshop
with members of the Albany Symphony
as part of the American Music Festival in Troy, NY

[New Work]
International Sävellyspaja Composition Masterclass 2026
with Avanti Chamber Orchestra
Helsinki & Porvoo, Finland
June 23–27, 2026

The Ci(r)cadian Tree (2024-25) for violin and piano
바이올린과 피아노를 위한, "순환(매미)의 나무"
Part of Accent Concerts at the Ear Taxi Festival, presented by New Music Chicago
Commissioned by Benjamin Sung and David Kalhous for their extension project, 익스텐션 프로젝트 위촉
Benjamin Sung, violin, David Kalhous, piano
World Premiere
October 31 2025 at 7:00P, Skowronski Music Hall, Loyola University Chicago, Chicago, IL

Autumnal Equinox (2025) for violin, cello, and piano
피아노 삼중주를 위한, "추분", 세계 초연
Commissioned by Illini Piano Trio, 일라이나이 트리오 위촉
Chukyung Park, violin, Seungwon Chung, cello, Hyeyeon Jung, piano
World Premiere
October 2025, Purugio Hall, Seoul, Republic of Korea

Missa Laudato Si’ (2023–25)
for Six Singers, SATB Chorus, and 12 Instruments
여섯명의 솔로이스트, 콰이어, 열 두 악기를 위한, “찬미받으소서 미사"
World Premiere
The EcoVoice Project, New Earth Ensemble, Ignatian Voices, and University Chorale
Kirsten Hedegaard, conductor
Saturday, March 15, 7:30 PM
Jo Ann Rooney Hall, Mundelein Center, Chicago

The Ci(r)cadian Tree (2024) for violin and piano
바이올린과 피아노를 위한, "순환(매미)의 나무"
Commissioned by Benjamin Sung and David Kalhous for their extension project
Benjamin Sung, violin, David Kalhous, piano
Premiere of the first movement
March 4 2025 at 7:30P, Longmire Recital Hall, Tallahassee, Fl
Original Schedule:
February 14, 2025 at 7PM
Skowronski Music Hall, Loyola University Chicago
February 15, 2025, at 3:30PM
Smith Memorial Hall, University of Illinois Urbana-Champaign, Urbana, IL

On a Winter’s Night a Traveler (The Deeply Learned Clavier) (2022-23) for solo piano
피아노를 위한, “겨울 밤의 여행자에 대하여"
Commissioned by Ariel Mo
World Premiere
April 29, 2024 at 8:00 PM (ET), Brown Hall, New England Conservatory, Boston

Presenter: Redefining Harmony: Limited Consonant Ratio Integers and Thresholds in Microtonal Tuning Systems
International Symposium MIKROTÖNE ~ MICROTONES “SMALL IS BEAUTIFUL 2023”
University Mozarteum, Salzburg, Austria, June 28th – July 2nd 2023

Research visit:
Das Institut für musikalische Akustik – Wiener Klangstil (IWK), Universität für Musik und darstellende Kunst Wien / The Department of Music Acoustics Wiener Klangstil, The University of Music and Performing Arts, Vienna
June 26 – 27 2023

Hyperion Song for soprano and 9 instruments
Commissioned by the Callithumpian Consort with additional funding provided by Jeffrey Duryea
the Callithumpian Consort season 2023-24
Jordan Hall, New England Conservatory, Boston, US

May 13 2022
Le Tombeau de Harvey
Recital: Ariel Mo '22 MM, Piano
Burnes Hall, New England Conservatory, Boston, US

January 11 2022
Presentation on three recent pieces
Composition Colloquium, Composition and Music Technology
Bienen School of Music, Northwestern University (on-line)

Callithumpian Consort: Karchin, Murail, Chacon, Rădulescu, Lee, and Montgomery
Tuesday, January 18, 2022 | 7:30pm
Le Tombeau de Harvey for solo piano, Ariel Mo, piano
Jordan Hall, New England Conservatory, Boston, US
“NEC faculty Stephen Drury created the Callithumpian Consort in the belief that new music should be an exciting adventure shared by performers and listeners alike, and that the brand new masterpieces of our day are beautiful, sensuous, challenging, delightful, provocative, and a unique joy.”
TIMESTORY, Book I: An Astropastoral for 13 soloists, the Grossman Ensemble
December 3, 2021 at 7:30 PM, Logan Center for the Arts, Chicago, IL
Commissioned by the Center for Contemporary Composition at the University of Chicago

November 11, 2021 at 7:30 PM
Lessons on Light and Darkness for solo piano, Commissioned by Eugenia Jeong
Concert Stream – SOUND/SITES, A co-presentation of UChicago Presents and the Department of Music

June 25, 2021
Le Tombeau de Harvey for solo piano, Ariel Mo, piano
SICPP | Summer Institute for Contemporary Performance Practice, Boston, MA
June 26, 2021
“Quaerendo Invenietis,” first movement from Unending Rose by Jupiter Quartet
Programmed at the Soundstream-ing: Beyond Notes 2021 (on-line)
Asian Composers League Philippines
June 24, 2021
Dawn Chorus, Featured on Chamber Brass Scores, YouTube Channel


May 23, 2021
Dawn Chorus, written for Axiom Brass
Recording Session, University of Chicago Logan Center for the Arts, Chicago, IL
May 9, 2021
“Quaerendo Invenietis,” first movement from Unending Rose by Jupiter Quartet
Programmed at the 2021 SCI National Conference (on-line)
April 16, 2021
A finite island in the infinite ocean for solo violin, Miranda Cuckson
Fromm Concerts online at Harvard, Program booklet
also featuring works by Natasha Barrett, Rebecca Saunders, and Jeffrey Mumford

March 12, 2021
Unsmeared, like a bodiless horn, Matt Oliphant (Horn) and Hannah Collins (Cello)
The Grossman Ensemble Miniatures Concert, online, Program booklet
also featuring works by Martha Horst, LJ White, and Will Myers
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February 2021Unsmeared, like a bodiless horn, Matt Oliphant (Horn) and Hannah Collins (Cello)
The Grossman Ensemble Miniatures Concert, online, Program booklet
also featuring works by Martha Horst, LJ White, and Will Myers

IRCAM/ SAT/ McGill University/ Université de Montréal
Presenter, “Spatialization, Orchestration, Perception” IRCAM Forum Workshop, Montreal, on my dissertation: A Thousand Bells: Acoustical Implementation of Bell Spectra Using the Finite Element Method and Its Compositional Realization
Event Archive (– 2020)
