New work for viola and accordion
Jing Chen and Nepomuk Golding
Cologne, Germany, winter 2026–27
Mu-ak: Soul Unbinding for flute, clarinet, and piano
플룻, 클라리넷, 피아노를 위한 “무악”
Ensemble .thrum, 앙상블 쓰룸: Kelly Sulick, flute, Jiyeon Choi, clarinet, John Mayhood,piano
Old Cabell Hall, University of Virginia, Charlottesville, September 20, 2026
Mu-ak: Soul Unbinding for flute, clarinet, and piano
플룻, 클라리넷, 피아노를 위한 “무악”
Ensemble .thrum, 앙상블 쓰룸: Kelly Sulick, flute, Jiyeon Choi, clarinet, John Mayhood,piano
National Flute Association Annual Convention
Friday, August 7 at 11:30 am PDT, Room A 107-109
Oregon Convention Center, Portland, Oregon
Timbre 2026, 4th International Conference on TimbreBell Timbres as Compositional Framework: Acoustic, Algorithmic, and Formalized Approaches
작곡적 프레임워크로써의 종의 음색: 음향적, 알고리즘적, 형식화된 접근
Selected presentation, Session 18: Artistic reports – Bridging acoustics and electronics
Hosted by the Faculty of Music, University of Montreal, in collaboration with ACTOR (Analysis, Creation and Teaching of ORchestration), with the support of CIRMMT (Centre for Interdisciplinary Research in Music Media and Technology) and RC•MS (Regroupement inter-universitaire de recherche et création • musiques et sociétés)
Montréal, Canada, July 2–4, 2026
Mu-ak: Soul Unbinding for flute, clarinet, and piano
플룻, 클라리넷, 피아노를 위한 “무악”, 세계 초연
Commissioned by Ensemble .thrum, 앙상블 쓰룸 위촉
Kelly Sulickl, flute, Jiyeon Choi, clarinet, John Mayhood,piano
ClarinetFest® 2026, Incheon, South Korea
July 11, 2026
Salon de Musique, 251-4 Buam-dong, Jongno District, Seoul, South Korea
July 5, 2026
Avanti! Fughetta: Hommage à Tiensuu
from Bani-Vanti Fughetti for Sinfonietta
신포니에타를 위한, 아반티! 푸게타, 바니반티 푸게티-상권
Avanti! Chamber Orchestra, Jukka Rantamäki, conductor
Palokunnan talo, Porvoo, Finland, June 2026
International Sävellyspaja Composition Masterclass, June 23–27, 2026
Albany Fughetta
from Bani-Vanti Fughetti for Sinfonietta
신포니에타를 위한, 알바니 푸게타, 바니반티 푸게티-하권
Orchestration for the 21st Century Workshop
with members of the Albany Symphony
as part of the American Music Festival in Troy, NY, June 2026
Lessons on Light and Darkness
Ensemble TIMF
DaHyun Chung, piano
TIMF앙상블-빛과 어둠에 대한 수업, 정다현, 피아노
Friday, April 24, 2026 7:30 PM
Korean Composers’ Night
Ilshin Hall, Seoul, South Korea
Unsmeared like a Bodiless Horn
Matt Oliphant, horn, Juan Horie, cello
앙상블 달 니엔테-더럽혀지지 않는, 형상없는 뿔피리 처럼
48 Hours Symposium: Dal Niente @ Jacobs School of Music
Friday, February 27, 2026 8:30 PM 10:00 PM
Indiana University Jacobs School of Music, Bloomington, IN
The Ci(r)cadian Tree (2024-25) for violin and piano
바이올린과 피아노를 위한, "순환(매미)의 나무"
Part of Accent Concerts at the Ear Taxi Festival, presented by New Music Chicago
Commissioned by Benjamin Sung and David Kalhous for their extension project, 익스텐션 프로젝트 위촉
Benjamin Sung, violin, David Kalhous, piano
World Premiere
October 31 2025 at 7:00P, Skowronski Music Hall, Loyola University Chicago, Chicago, IL
Autumnal Equinox (2025) for violin, cello, and piano
피아노 삼중주를 위한, "추분", 세계 초연
Commissioned by Illini Piano Trio, 일라이나이 트리오 위촉
Chukyung Park, violin, Seungwon Chung, cello, Hyeyeon Jung, piano
World Premiere
October 2025, Purugio Hall, Seoul, Republic of Korea
Missa Laudato Si’ (2023–25)
for Six Singers, SATB Chorus, and 12 Instruments
여섯명의 솔로이스트, 콰이어, 열 두 악기를 위한, “찬미받으소서 미사"
World Premiere
The EcoVoice Project, New Earth Ensemble, Ignatian Voices, and University Chorale
Kirsten Hedegaard, conductor
Saturday, March 15, 7:30 PM
Jo Ann Rooney Hall, Mundelein Center, Chicago
The Ci(r)cadian Tree (2024) for violin and piano
바이올린과 피아노를 위한, "순환(매미)의 나무"
Commissioned by Benjamin Sung and David Kalhous for their extension project
Benjamin Sung, violin, David Kalhous, piano
Premiere of the first movement
March 4 2025 at 7:30P, Longmire Recital Hall, Tallahassee, Fl
Original Schedule:
February 14, 2025 at 7PM
Skowronski Music Hall, Loyola University Chicago
February 15, 2025, at 3:30PM
Smith Memorial Hall, University of Illinois Urbana-Champaign, Urbana, IL
On a Winter’s Night a Traveler (The Deeply Learned Clavier) (2022-23) for solo piano
피아노를 위한, “겨울 밤의 여행자에 대하여"
Commissioned by Ariel Mo
World Premiere
April 29, 2024 at 8:00 PM (ET), Brown Hall, New England Conservatory, Boston
Presenter: Redefining Harmony: Limited Consonant Ratio Integers and Thresholds in Microtonal Tuning Systems
International Symposium MIKROTÖNE ~ MICROTONES “SMALL IS BEAUTIFUL 2023”
University Mozarteum, Salzburg, Austria, June 28th – July 2nd 2023
Research visit:
Das Institut für musikalische Akustik – Wiener Klangstil (IWK), Universität für Musik und darstellende Kunst Wien / The Department of Music Acoustics Wiener Klangstil, The University of Music and Performing Arts, Vienna
June 26 – 27 2023
Hyperion Song for soprano and 9 instruments
Commissioned by the Callithumpian Consort with additional funding provided by Jeffrey Duryea
the Callithumpian Consort season 2023-24
Jordan Hall, New England Conservatory, Boston, US
May 13 2022
Le Tombeau de Harvey
Recital: Ariel Mo '22 MM, Piano
Burnes Hall, New England Conservatory, Boston, US
January 11 2022
Presentation on three recent pieces
Composition Colloquium, Composition and Music Technology
Bienen School of Music, Northwestern University (on-line)
Callithumpian Consort: Karchin, Murail, Chacon, Rădulescu, Lee, and Montgomery
Tuesday, January 18, 2022 | 7:30pm
Le Tombeau de Harvey for solo piano, Ariel Mo, piano
Jordan Hall, New England Conservatory, Boston, US
“NEC faculty Stephen Drury created the Callithumpian Consort in the belief that new music should be an exciting adventure shared by performers and listeners alike, and that the brand new masterpieces of our day are beautiful, sensuous, challenging, delightful, provocative, and a unique joy.”
TIMESTORY, Book I: An Astropastoral for 13 soloists, the Grossman Ensemble
December 3, 2021 at 7:30 PM, Logan Center for the Arts, Chicago, IL
Commissioned by the Center for Contemporary Composition at the University of Chicago
November 11, 2021 at 7:30 PM
Lessons on Light and Darkness for solo piano, Commissioned by Eugenia Jeong
Concert Stream – SOUND/SITES, A co-presentation of UChicago Presents and the Department of Music
June 25, 2021
Le Tombeau de Harvey for solo piano, Ariel Mo, piano
SICPP | Summer Institute for Contemporary Performance Practice, Boston, MA
June 26, 2021
“Quaerendo Invenietis,” first movement from Unending Rose by Jupiter Quartet
Programmed at the Soundstream-ing: Beyond Notes 2021 (on-line)
Asian Composers League Philippines
June 24, 2021
Dawn Chorus, Featured on Chamber Brass Scores, YouTube Channel
May 23, 2021
Dawn Chorus, written for Axiom Brass
Recording Session, University of Chicago Logan Center for the Arts, Chicago, IL
May 9, 2021
“Quaerendo Invenietis,” first movement from Unending Rose by Jupiter Quartet
Programmed at the 2021 SCI National Conference (on-line)
April 16, 2021
A finite island in the infinite ocean for solo violin, Miranda Cuckson
Fromm Concerts online at Harvard, Program booklet
also featuring works by Natasha Barrett, Rebecca Saunders, and Jeffrey Mumford
March 12, 2021
Unsmeared, like a bodiless horn, Matt Oliphant (Horn) and Hannah Collins (Cello)
The Grossman Ensemble Miniatures Concert, online, Program booklet
also featuring works by Martha Horst, LJ White, and Will Myers
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February 2021Unsmeared, like a bodiless horn, Matt Oliphant (Horn) and Hannah Collins (Cello)
The Grossman Ensemble Miniatures Concert, online, Program booklet
also featuring works by Martha Horst, LJ White, and Will Myers
IRCAM/ SAT/ McGill University/ Université de Montréal
Presenter, “Spatialization, Orchestration, Perception” IRCAM Forum Workshop, Montreal, on my dissertation: A Thousand Bells: Acoustical Implementation of Bell Spectra Using the Finite Element Method and Its Compositional Realization
Event Archive (– 2020)
